- 1 Introduction:
- 2 PowerDirector 17 Crack Download
- 3 News from PowerDirector 17 Free:
- 4 Better description about the software:
- 5 Interface
- 6 Basic video editing
- 7 Assisted movie creation
- 8 Video Collages
- 9 Working with 360-degree images
- 10 PowerDirector 17 Activation Key
- 11 Action Camera Tools
- 12 PowerDirector 17 Crack
- 13 Motion tracking
- 14 Content-Aware and multi-camera editing
- 15 PowerDirector 17 license key
- 16 Near-Pro video editing
- 17 4K y 3D
- 18 Audio
- 19 Rendimiento
- 20 Real Power for Your Video Editing
- 21 How To Install?
- 22 Related
PowerDirector 17 Crack Download
Crack PowerDirector 17 offers a unique combination of high-end performance and advanced editing features . It is remarkably easy to use, makes video editing accessible to creators of all levels, and a large selection of customizable design tools, including unique alpha transitions, animated titles, particles and PiP objects, provide the freedom to explore the creativity and reflect unique video creations. PowerDirector product key is amazing video editing software for PC provides powerful and easy-to-use tools for high-quality video productions. Download installer installation without PowerDirector for Windows connection.
Take your video editing skills to the next level with PowerDirector for PC : the fastest and most capable editing software to date. With a range of professional-level tools created specifically for impeccable precision editing, you can turn any shoot into high-quality productions with minimal effort. If you are an experienced user or try the video editing for the first time, PowerDirector Download is the ultimate video editing solution.
This video editing program will allow you to create and edit movies quickly, using the masses of wonderful effects contained in the software. There are more than 200,000 free downloads to choose from. If you want to add a title to a clip, for example, you can simply enter the text. But you can also configure many different fonts and text settings, as well as configure shadows, borders, reflections, etc.
News from PowerDirector 17 Free:
Interoperability of MultiCam Designer and Collage Designer
Synchronizing multiple clips using MultiCam Designer finishes editing and producing in Video Collage Designer.
Updated video collage designer
More border size and color controls, plus border adjustments between clips and save / download custom templates.
Enhanced Title Designer
Incredible animated title text effects and faster editing directly within the preview window with background object support.
Editing nested projects
Add and edit multiple projects in your timeline for a no-effort creative. 19659004] Pre-cut video
Pre-cut clips to save in your library and reuse in all your projects.
Create brush mask in Mask Designer
Use the brush tool to create irregularly shaped custom masks to apply to video clips.
Precision improved motion tracking
Tracking objects through your video with control frame by frame and title backgrounds.
Advanced chroma key  Significant improvements in our Chroma Key engine and advanced multi-key sampling.
Edit keyframe opacity
Use keyframes to edit the video opacity directly on the timeline.
Redesigned Paint Designer
– Improved workflow allows animated painted effects to overlap in the videos.
Better 360 ° video stabilization
Improved stabilization engine, plus the ability to adjust the temporal and spatial ranges and shaft rotation.
Extended format support
Import WebM (VP9 video and Opus audio), import HEIC, export sequences of JPG and PNG images, produce MKV with DTS / AAC audio.
Capture webcam during recording
Capture images from the webcam as embedded images to shoot recordings.
Integrated and Expanded Audio Editing
Audio Editor integrated directly into the PowerDirector editing workflow allows for perfect audio editing, in addition to Vocal Transformer and Echo effects.
Improved performance  Improved architecture allows more instances of hardware decoding and optimizations of the Intel 8th Gen CPU. Core I with TrueVelocity 8.
Better description about the software:
The user interface The program is as clear and simple as a program with such a wide number of options it can be, but it can still be overwhelming when you're in the weeds of fine-tuning video or audio effects. However, it is not as intimidating as Adobe Premiere Elements. You start on a Welcome screen that offers large button options of Timeline Mode, Storyboard Mode, and Slide Show Creator. Two options below these include Auto Mode and 360 Editor: all these modes are self-explanatory.
If you do not need or do not want all these options every time you start the program, a simple Enter always The Timeline Mode check box is for you. In this welcome screen, you can also choose the aspect ratio of your video project: 16: 9, 4: 3 and a high mode of 9:16, since some people never seem to learn to hold their phones aside for videos .
The PowerDirector editing interface maintains the traditional font and split panel previews at the top, with the timeline of the track across the width of the bottom of the screen. The storyboard view is more than just clip thumbnails. You can drag transitions between clips, apply effects, and add audio clips without changing to the timeline view. I also like the buttons at the top to show only videos, only photos, or just audio in the source panel. The new ones for Version 17 are buttons that link to video tutorials that appear in the upper right corner based on your current activity.
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Four mode options are aligned at the top: Capture, Edit, Produce and create disk. The timeline is easy to customize and navigate, with a button to add tracks. You are allowed up to 100 tracks. Vegas Movie Studio $ 59.99 in MAGIX Software limits it to 20 tracks, which is probably longer than most people need, though not enough for high-end projects.
Edit mode is where your time spends most of the time, and you can drag media directly to your source panel or even to the timeline. You can label media and each project retains its own set of content, but does not get containers, which bring together all the resources for your project, including transitions and effects, as it does with professional-level products and Pinnacle Studio. However, you can package the project assets in a folder and use the new capacity of the nested Project, which is detailed below.
By default, you get three pairs of video and audio tracks with Cyberlink, as well as effects, title, voice, and music tracks. You can block, disable / enable view or rename the tracks from the left area of track information, and you can even use drag and drop to move them up and down the timeline. Zoom in and out on the timeline is also very easy, either with the Ctrl-Mouse wheel or a slider.
Basic video editing
As with most non-linear video editing software, PowerDirector allows you to join and trim clips on the timeline. CyberLink has slightly changed the default behavior of the timeline with this version: instead of a clip that fits tightly to an existing clip in the timeline, when you drag one to the timeline, it is likely to overlap with the existing clip on the left. Get information about tools with five options: Overwrite, Insert, Insert and Move all clips, Crossfade and Replace. If you use the Insert button that appears below the source panel when you select a clip, you can align your clip without any problems.
The Crop tool (opened with a scissors icon) allows a precision control (up to the individual frame) with two sliders, and the multiple adjustment tool allows you to mark several entry and exit points in his clip, a useful tool to cut the straw. Some professionally trained video editors I know regret, however, that you can not make an approximate adjustment to a clip before dragging it to the PowerDirector project timeline, as you can with Final Cut Pro X $ 299.99 in iTunes Store and Premiere Pro.  Crop in PowerDirector ” border=”0″ data-recalc-dims=”1″/>
The new Precut tool allows you to work on original clips before adding them to the timeline. This is how professional editors work, so it's good to see CyberLink add capacity. In previous versions, I could not make cuts until after I had released a clip on the timeline, which left professionally trained editors scratching their heads. You can make a simple in and out setting to create a single clipped clip or use PowerDirector's wonderful Multi-Trim tool to create multiple pre-cut clips.
Use the PowerDirector's unique and intuitive selection cursor to split the video and delete sections. Repair / upgrade options also include video noise removal, audio noise removal, and improvements to improve color and sharpness. PowerDirector also facilitates the correction of lighting and color. You can independently adjust brightness, contrast, hue, saturation, sharpness and white balance.
The included color matching option is important for movies taken at different angles with different equipment and lighting. It appears when you have two clips selected. Scroll to the frame in each one you want to match. He did an irregular job in my tests with decorations and decoration, sometimes without applying a darker look when my clip of origin was darker than my objective. The tool could benefit from face detection, since it did not match very well with the skin tones between the clips. The coincidence of colors is apparently difficult to do; when Final Cut Pro X first introduced the function, it was similarly deficient, and then it improved a lot.
Support for LUT or search tables can give your movie a uniform look by applying a color mood like those seen in movies, for example, the cold blue aspect of The Revenant. PowerDirector uses the alternative acronym in its CLUT-interface, for a color lookup table. The program supports a large number of file formats, including 3DL, CSP, CUBE, M3D, MGA, RV3DLUT and VF. Unfortunately, CyberLink does not really support much locating LUTs: you are more or less alone. I was able to successfully test LUT support using Kodak movie style and Adobe Premiere Pro LUT.
Assisted movie creation
One of the best things for home video editors in recent years was Apple's pioneer with the Trailers feature of the included iMovie application from Mac. Adobe recently added a similar tool, the Video Story feature of Premiere Elements. With any of these, you can complete templates with video content and photos that meet the needs of a production location, such as Group Shot, Close-up, or Action Shot. These are elaborated with transitions and background music that match the chosen theme. PowerDirector has a similar tool, Express Project, that you can enter directly from the program's start panel.
Express Project joins another similar tool, Magic Movie Wizard, which will guide you in five steps: import source content, adjust that content, preview and production. You can download almost 50 Express Projects from DirectorZone, Cyberlink's web resource site. Unlike the similar movie tool, PowerDirector requires you to add your own background music; there are no canned scores in the wizard or for Express Projects.
An Express Project requires only two steps: Drag an Aperture, Medium and Finish on the timeline, and fill the resulting clip tracks with their media. It is not as intuitive or clear as the Apple iTunes Trailers feature or the Video Story feature of Adobe Premiere Elements. But it offers a guide to create a digital film, it is actually more customizable and the results look very good.
You access the Video Collage Designer from the Plug-in in the menu item. This opens a new window that shows templates with their clips on the side. Simply drag and drop the last one on the previous one, and you will get an ingenious animated image on the image. PowerDirector already had one of the most powerful image-in-picture tools, but this is an easier way to get a nice result.
A new way to reach the Video Collage Designer is through the Multicam Designer, which now offers universities and an outlet for multi-angle clip synchronization. Unfortunately, when I synchronized two clips, the additional portion of the clip was still transferred to the university. The root of this problem is that you can not crop in the Multicam Designer.
Working with 360-degree images
When you add a 360-degree clip to your project, PowerDirector displays a dialog box asking if I want your output to be 360 or 2D. If you choose the latter, the View Designer window opens, allowing you to choose the point of view of the resulting movie. You can move the angle in the preview of this window on three axes (x, y and z) with the mouse pointer.
When you click on up, down, left and right, the arrows alter your point of view, and click on the center of the arrow control adjusts the view to directly. You can expand the view and, very useful, use keyframes to change automatically from one point of view to another. That last option can take advantage of the Ease-In option, which makes the movement accelerate and decelerate more naturally, instead of happening mechanically.
A very good effect, which I saw for the first time on Vimeo, is produced by the Little Planet drop-down menu in the View Designer. This takes a 360 degree content and readjusts it so that the ground has the shape of a ball that anyone in the video is walking. Drag the image down and you can create the opposite world type, in which the inhabitants are inside a sphere. A good option is to use keyframes to spin the world without problems.
Stabilization and, notably, motion tracking can also be applied to your 360 degree videos. CyberLink has really pushed the envelope with these first impulse features. When I tested the stabilization of 360 in the latest version, I could not get good stabilization results on the footage of my Samsung Gear 360, but when I tried the shaky sample footage of Steven Lien from CyberLink, the feature worked well. With version 17, the company added a new enhanced virtual reality stabilizer that gives more controls to adjust the stabilization effect.
Motion tracking works in the same way as in 2D footage, except that the selection box changes shape to reflect its position in 3D space. It's a simple three-step process: place the object you want to track, run the tracker and then attach text or graphics to follow it. Lo and behold: it works better than any movement tracking I've tested to date. The tracker showed a centered circle and a box around the colleague's head that he was tracking, and it hooked up perfectly. In the past, these tools tended to lose the tracked object, becoming distracted by background objects. He even stayed with the tracker when he was walking behind a glass door. That is amazing!
PowerDirector 17 Activation Key
For projects you intend to generate in 360-degree format, you can still use the basic trimming, splitting and joining tools, but there are a lot of PowerDirector functions that can not be used: magic movie, video clip (think of it) and content sensitive editing. You can not successfully combine 360 content in a 360 project either.
It is still possible to add titles and transitions, as well as color corrections and accelerations and time delays. The program offers ten 360-degree title options, including some with fly-in animations. You can also change fonts with more than 100 options and apply effects such as stroke and drop shadow. These 360 titles remain in place as the viewer moves, instead of remaining statically on the image. But you can also move them, change the transparency and scale, all using keyframes, very well.
Once you've edited the content to your liking, you'll exit to the H.264 AVC.MP4 format, and now to H. 265 HEVC as well. Alternatively, you can upload directly to Facebook, YouTube and Vimeo. The exporter allows you to choose a level of privacy and resolution, including 4K as an option.
Action Camera Tools
PowerDirector can, of course, import and edit images from GoPro cameras, as well as from other action cameras such as Sony, Kodak and Ion. But when a clip is selected, the Center of the dedicated action camera appears below the menu item Tools. This offers effects such as corrections based on the camera profile for fisheye distortion, vignette, camera movement and color. It also includes the effects preferred by action camera users, such as the frozen frame and time changes such as slowdowns, accelerations and repetitions.
Fish-eye correction has an advantage over the GoPro video editor itself in that it cuts less than the edge of the screen, and in my test shot it distorted the faces less than the GoPro software. Stabilization is not an option in the original GoPro software, and CyberLink offers improved stabilization and the ability to correct camera rotation for a smoother appearance. Improved stabilization (which takes much longer) did a good job of smoothing shots with bumps, but occasionally I saw some deformation, a common artifact of stabilization technology.
The Effect tab of the Action Camera Center is where the high-demand Play, Speed and Freeze tools are located. The first one offers buttons to play and rewind, and speed effects. You choose how long a portion of the clip should be applied, and from the check boxes, you can choose the Ease In and Ease Out options. The tool allows you to easily create fun effects that are appreciated by skaters, surfers and other fun lovers.
PowerDirector 17 Crack
Another ability related to the tangential action camera is the ability to import and edit clips taken in a high frame rate, such as 120 fps and 240 fps. I imported a sample of the latter from an iPhone 6, and when I dragged it to my timeline, I received a warning box telling me that the frame rate differed from that of my project, but the configuration only offered a maximum of 60 fps for a project. A contact from CyberLink informed me that the limit only applied to the timeline view, and he assured me that the 240 fps content is preserved at the time of departure. Adding a slow motion effect to my test clip turned a slap into a terrifying bass hit.
PowerDirector has a Stop Motion effect in the Action Camera Center, but it is not like the real stop motion tool of Corel VideoStudio, which allows you to create your own Rudolf the red-nosed reindeer. In PowerDirector, the tool simply freezes the action for a specific period of time in the selected boxes.
Motion tracking allows an object, text or effect to follow something that moves in your video. You choose the Motion Tracker option from the same Tools menu as the Action Camera, after selecting a clip in the timeline. The tool makes tracking an object and adding a title, effect or even another multimedia clip a simple three-step process. Start by placing a target square on the object you want to track, then press the Track button, which runs through the video while following your boxed object. And then you choose what you want to follow the tracked object.
As mentioned above, the 360-degree tracker worked very well, but the 2D tracker still lost track of my subject's face when he turned around, a common limitation in such tools. I solved this quite easily by stopping the tracking, realigning the box and starting to crawl again. It is easier to get a correct track than in Corel VideoStudio $ 89.99 in Corel . The motion tracking tool in Adobe Premiere Elements also lost track of a skater in my test material when it passed behind a pole.
To attach text to objects with motion tracking in PowerDirector, you can easily connect a mosaic, reflector or blur effect, and get a good selection of many fonts, colors and sizes. You can even rotate the text with a handle. One thing I'd like to be able to add, though, is a speech bubble, something offered by Adobe and Corel.
Content-Aware and multi-camera editing
PowerDirector can analyze your clip for people, zoom, pan, talk, motion and unstable video. This allows you to select or reject areas of interest or boredom. Premiere Elements has a tool that allows you to manually choose your favorite moments, but it is not automated like PowerDirector. The Edit with use option of Content-Aware-based editing processes a clip and then displays a dialog box with tracks for each of the detected events, such as Zoom, Pan, Faces, Voice, Shaky Video, poor lighting and more. By clicking on any of the detected clip segments, you can easily select or deselect that part of the clip for use in your project. Note that this feature does not work with 360 degree content.
With so many people shooting events simultaneously with their HD camera phones, MultiCam is no longer just for professionals. PowerDirector allows up to 100 tracks of Multicam, but what it really means is that you can synchronize many tracks by audio in the main timeline. The actual Multicam switching interface has only four video sources.
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For synchronization, you get the option of Audio Analysis (the best option for amateurs), Manual, Time Codes, File creation time and Markers on Clips. When I used Audio Analysis, my two clips synchronized perfectly. The program allows you to choose which audio track you should use, or you can import an audio track separately. Hitting Record played all synchronized angles, allowing me to switch between them. The tool creates subclips labeled 1 to 4 for camera angles, with adjustable split points.
When finished cutting, the clip sequence will appear on the normal timeline. The subclips are on separate tracks, but you can not adjust the cut points there without losing images and spoiling the timing. The multicam designer itself allows you to adjust these. Fortunately, you can also reopen a multicam sequence in the designer after it has been sent to the timeline. In all, it is a well-made and powerful tool.
Near-Pro video editing
Both Adobe Premiere Pro and Apple Final Cut Pro X allow you to combine groups of edited clips and move them as a unit. With Version 17, the PowerDirector Nested Projects feature adds this capability. To use it, simply create a new project and place an existing one on the timeline. This creates a tabbed interface on top of the timeline, which allows you to edit the nested project separately from the new main project.
If you are interested in the edition of keyframes (which allows precise control of when the effects begin) and finish according to the exact frames you choose) PowerDirector is at your disposal. It offers images in image (PiP), overlays, movement, clipping and time codes. All effects and settings can be linked to keyframes. You'll get over 100 transitions and special effects to choose from, including ten from NewBlue. And the application allows you to install third-party effect plug-ins from Pixelan and ProDAD.
The transitions are easy to add, and the program can decide which material to use before and after when releasing this type of effect in a line of union between clips. A search box allows you to find a specific type, such as the Page Curl. And you can even create custom transitions using your images with the alpha set of transitions, which are based on masking and transparency. It's fun to make the transition from a friend's head, as shown below.
PowerDirector's Chromatic Key tool allows you to photograph someone with solid color backgrounds (usually green) and create the appearance that & # 39; Re in an exotic scene choosing a different background. CyberLink has simplified the controls from four to two: now there are only Color Range and Denoise controls. Now you can add more than one color key, too. I tried this with an orange and gray background and with a yellow and gray background. These color choices showed me why professionals use the color green: the orange background unraveled my subject's lips, and it was harder to get the correct mask.
With a green screen, the inlay worked well. Even in the default mode, I did not notice any of the green halos that I sometimes see around test subjects in other programs.
The Mask Designer allows you to add transparency to mask objects (including your own images) and text. It was really fun to use my police photo as a mask on a river that flows in the test video below. As with almost all effects, you can use keyframes to gradually facilitate the input and output of these mask effects.
The Title Designer becomes even more powerful in version 17, adding new effects such as fire, electric waves and neon, along with a good selection of fly-in animations. Gradients of two colors, lighting and brightness are also at your disposal. These can give the initial credits of George Lucas for the weekend. You can also place boxes around the text to get a button, which you could use as your Subscribe button in online media.
The program offers pre-set embedded picture grids, 2 by 2 to 10 by 10, and its clip tracks are adjusted to fill the resulting spaces. The PiP Designer window makes the creation of PiP movies simpler than in any competitor application. And none of the competitors can preview these types of movies without stopping and starting unequal reproduction.
Paint style filters became popular with the iPhone application Prism. Now PowerDirector offers add-ons that perform similar magic in their video clips. Four packages of these AI styles are available with PowerDirector 17: Chinese Painting, Van Gogh, Impressionists 1 (Manet) and Impressionists 2 (Monet). CyberLink planea producir nuevos paquetes de IA mensualmente para los suscriptores. Tenga en cuenta que no son pequeñas, con una descarga de 300 MB.
No puede acceder a estos nuevos estilos desde la pestaña Efectos, sino desde la opción del menú Complementos. (Los efectos ya incluyen pintura china no AI). Los nuevos estilos abren una nueva ventana, donde debe volver a abrir el clip para el efecto. Por lo tanto, no está realmente integrado en el editor como los viejos Efectos, que funcionan correctamente en los clips de la línea de tiempo seleccionados.
Los efectos, como los de Prisma, son fascinantes y hermosos. Ojalá pudieras ajustar su fuerza con un control deslizante, pero supongo que depende de la IA, en lugar de mi inteligencia inferior. Puede recortar el clip al que está aplicando el efecto y luego presionar el botón Transformar. No es súper rápido: un clip de 16 segundos tardó dos minutos en transformarse.
4K y 3D
PowerDirector admite contenido de video 4K. El software es compatible con el estándar XAVC-S de videos 4K y HD utilizados en cámaras y videocámaras Sony. Esto une el soporte para Canon 1DC, JVC HMQ-10 y GoPro Hero3 contenido 4K.
Al editar el metraje de Go Pro 4K, el rendimiento es mejor de lo que esperaba, sin ralentizar ni siquiera con transiciones complejas. Ser el primero con capacidad 4K es una verdadera pluma en el límite de CyberLink, pero gran parte de la competencia, como Corel VideoStudio, también admite 4K.
A diferencia de Premiere Elements, PowerDirector puede importar, editar, mostrar y producir un video 3D. Incluso puede intentar convertir contenido 2D a 3D. Es compatible con varios sistemas 3D, incluidos anaglifos (gafas rojo / cian), televisores HD listos para 3D y populares formatos de video y foto 3D. Descargué varias muestras en 3D, incluido contenido de alta definición, y PowerDirector no tuvo problemas para mostrarlo. Una vez que tenga su contenido 3D en el programa, puede agregar transiciones 3D, partículas y títulos.
Las pistas de audio en la línea de tiempo de forma predeterminada muestran líneas de forma de onda, y puede subir y bajar el volumen agarrándolos y arrastrándolos. La sala de audio, un mezclador de volumen de pista simple, presenta botones Normalizar para cada pista para equilibrar los niveles de sonido de la secuencia. También es fácil crear voces en off con la Sala de Grabación de Voz, accesible desde una pestaña con el ícono de un micrófono. El WaveEditor de CyberLink es una aplicación incluida que le permite corregir la distorsión, ecualizar, generar reverberación y aplicar algunos efectos especiales. También incluye compatibilidad con plug-ins VST para efectos de terceros.
Obtiene mucha música de fondo enlatada, y el editor de video estándar incluye detección de ritmo, que pone marcadores en la línea de tiempo en ritmos musicales para que puede sincronizar la acción del clip.
Para mezclas, grabaciones, sincronizaciones, limpiezas y restauraciones realmente avanzadas, está AudioDirector (incluido con la edición Ultimate Suite). Con esta aplicación independiente, puede aplicar fácilmente los efectos y las soluciones que se conservan cuando los abre más tarde en PowerDirector. Lo nuevo en AudioDirector es Auto Remix, que se adapta a la música de la pista de sonido según la duración de tu video. Puede tomar cualquier canción, analizarla y, a menudo, acortarla o alargarla de manera convincente. Pero necesita ingresar manualmente el nuevo tiempo de duración; no trae tu película para una adaptación automática. Puede ver dónde se produjo la edición con una línea ondulada. Al escuchar el resultado, no pude decir que la música había sido cortada en ese momento.
El agachado automático no agrega cuacks a su banda sonora. En cambio, baja automáticamente el audio de fondo durante el diálogo en otra pista. No sirvió de mucho para un video de un concierto ruidoso además de una entrevista, pero funcionó mejor con una pista de fondo estándar.
La inversión de CyberLink en optimizaciones de 64 bits y aceleración de hardware de gráficos ha valido la pena. Otros amplificadores de velocidad incluyen soporte OpenCL (lenguaje de computación abierto) y SVRT inteligente, que determina cómo se deben procesar los clips para obtener la mejor calidad de salida y la edición más rápida. En mi última ronda de pruebas de rendimiento, el programa sigue siendo el más rápido entre sus pares.
Probé el tiempo de renderización creando una película que consta de cuatro clips de tipos mixtos (algunos 1080p, algunos SD, algunos 4K) con un conjunto estándar de transiciones y renderizado a 1080p30 MPEG-4 a 15Mbps, H.264 High Profile. El audio fue audio MPEG AAC: 192 Kbps. Probé en el Asus Zen AiO Pro Z240IC con Windows 10 Home de 64 bits y luciendo una pantalla 4K, 16 GB de RAM, una CPU Intel Core i7-6700T de cuatro núcleos y una tarjeta gráfica discreta Nvidia GeForce GTX 960M.
test movie (whose duration is just under 5 minutes) took 1:29 (minutes: seconds) for PowerDirector to render. The next-best competitor this year was Pinnacle Studio 22, with a time of 1:54. Both of those handily outpaced Corel VideoStudio’s 4:20 and Adobe Premiere Elements’s 5:18. Its render speed with OpenCL acceleration enabled is nothing short of astonishing. During rendering, PowerDirector also shows you the time elapsed, time remaining, and what frame in the movie you’re at during the process.
Real Power for Your Video Editing
PowerDirector continues to lead the way among consumer video editing software. The latest version’s Precut, Nested Projects, and advanced titling features bring it closer to the professional level. There isn’t room here to discuss the vast feature set, including slideshows, disc menus, and animated object design tools to name just a few. Its wealth of powerful tools would be enough to give it a strong recommendation, but the speed with which PowerDirector handles editing and rendering digital movies really gives it the upper hand in the face of many competing products. CyberLink PowerDirector 17 Ultimate remains PCMag’s Editors’ Choice for enthusiast-level video-editing software, along with Corel VideoStudio and, for Mac users, Apple Final Cut Pro X.
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