Buffy reboot showrunner clarifies: it’s not a reboot, it’s a sequel

"Restart" has become a controversial word. While risk-adverse producers perpetually look for family films and television to bring new forms, with the expectation that the new versions have an integrated fandom, the seemingly endless wave of reinvented popular property launches seems to be taking a toll on fans. .

And every new restart announcement triggers a wave of online reaction. One of the most recent kerfuffles was the announcement that Midnight, Texas the creator Monica Owusu-Breen was working with Joss Whedon on a new version of her show, Buffy the Vampire Slayer . Initial reports suggested that his new program would be a reboot, with a woman of color in the lead role.

Actual information about the planned program was as thin as its initial announcement, plus a statement from the producer that said: "Like our world, it will be very diverse, and like the original, some aspects of the series could see themselves as metaphors for the problems that we all face today. "

But after a wave of negative response to the suggestion that the program might be returning to Buffy's character starting point, and retelling the same stories with different actors, Owusu-Breen made a statement through Your Twitter suggesting that the program is actually a continuation focused on a completely new character.

This statement may seem somewhat vague, but it seems to make it clear that Owusu-Breen is not interested in recasting the original roles, or in retelling the stories of the Whedon series. is. Instead, it implies that the new Buffy will be a sequel series.

In the original Buffy the Vampire Slayer the protagonist Buffy Summers (Sarah Michelle Gellar) is the Huntress, a young woman who is given supernatural strength and ability to fight against evils of the world. Most series emphasizes that there can only be one Slayer at a time, and that a new Slayer has power only when the previous Slayer dies. The complications of that formula eventually mean that a second Slayer runs around in addition to Buffy. But in the last episode of season 7, the end of the series, Buffy and her friends activate Slayer's magic and distribute it to dozens of potential Slayers, creating an army of empowered women.

That dynamic continues throughout the 11 years of Buffy's spin-off comics, a series compiled in style arcs Buffy the Vampire Slayer Season Eight Season Nine ] Season Ten and so on. Since the comics were initially approved by Whedon, who scripted many of the comics of Season Eight there has been some debate about whether they are canonical for the series. While Whedon said in an initial interview in 2006 that he pretended to be a canon, and Buffy's arguments still need approval from his office, he has not had much direct involvement in the comics in years, and the increasingly bizarre fantasy of the series. the arches would be a difficult thing to absorb for any new show. But they have a world with many women with Slayer powers running, employed in many different projects.

And Whedon participated more directly in the comic series 2001-2003 Fray a future-future Buffy starring a murderous descendant who had inherited Buffy's primary weapon and its main problem: the vampires. Whedon said in the past that he has a specific plan to return to the timeline Fray and that he also has a story in mind that would explain the discrepancies between Fray and the end of ] Buffy the Vampire Slayer . Given his participation in the program, there is always the possibility that the new series may touch the existing plans he had for the myth of Buffy .

But if the new series recognized the comics or discards them, there is certainly a canonical basis in the first program for a complete series that focuses on a new Slayer without removing the originals from the table. And the prospect of an update of the series 20 years later sounds exactly like what many fans on social networks demanded when the news of the restart broke. A sequel series that returns to the same world but opens new paths and has its own specific tone and interests, at least it would have a slight chance to escape from "This is not the Buffy We grew up with reaction

Now it's only about whether it comes to fruition or if it dies on the vine, like the Whedon-2011 2011 film project [Buffy] that broke up in the scripting stage. It remains to be seen if the fans are willing to give the new program a chance, even if it does not have the name or intention to replace Buffy.

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